sábado, 7 de abril de 2012

The Danish Gambit






Danish Gambit
The Danish Gambit, known as the Nordisches Gambit (Nordic Gambit) in German, and the Noors Gambiet
(Northern Gambit) in Dutch, is a chess opening that begins with the moves:

1. e4 e5
2. d4 exd4
3. c3

White will sacrifice one or two pawns for the sake of rapid development and the attack. However, with care, Black can accept one or both pawns safely, or simply decline the gambit altogether with good chances.
Although it may have been known earlier, Danish player Martin Severin From essayed the gambit in the Paris 1867 chess tournament and he is usually given credit for the opening. The Danish Gambit was popular with masters of the attack including Alekhine, Marshall, Blackburne, and Mieses, but as more defensive lines for Black were discovered and improved, it lost favor in the 1920s. Today it is rarely played in top-level chess.

History

From the very beginning the nomenclature of the Danish Gambit was very confusing. The idea stems from a famous correspondence game London-Edinburgh, 1824: 1.e4 e5 2.Nf3 Nc6 3.d4 exd4 4.Bc4 Bc5 5.c3 Qe7 6.0-0 dxc3 7.Nxc3. The Swede Hans Lindehn played 1.e4 e5 2.d4 exd4 3.c3 on a regular basis from 1857 at latest. He defeated the later World Champion Wilhelm Steinitz with his gambit in London, 1864. It is possible, that Severin From met Lindehn in Paris in this period and learned about the gambit there. According to Graham Burgess, in Denmark itself, the opening is called the Nordic Gambit.

Many games transposed to the Göring Gambit, as Nf3 for White and ...Nc6 for Black are very logical moves. As Carl Theodor Göring also used to play the double gambit, there was hardly any difference.
Remarkably enough, the idea to sacrifice just one pawn (Nxc3) is older in the Göring Gambit than in the Danish. 
Paul Morphy encountered it at the first USA-Congress of 1857 against Alexander Meek. In the Danish, especially Alexander Alekhine applied 1.e4 e5 2.d4 exd4 3.c3 dxc3 4.Nxc3, but on unimportant occasions.

Main variations
The Danish Gambit is a variation of the Center Game that is important enough to be treated on its own. It is C21 in the Encyclopaedia of Chess Openings classification.
After 1.e4 e5 2.d4 exd4 3.c3, Black can safely decline the gambit with 3...d6, 3...Qe7, or 3...d5 (Sörensen Defense or Capablanca Defence). If Black enters the Danish Gambit Accepted with 3...dxc3, the main possibilities are:

  • 4.Nxc3 (Alekhine Variation)
  • 4...d6 5.Bc4 Nc6 6.Nf3 (Göring Gambit, by transposition)
  • 4...Bc5 5.Bc4 Nc6 6.Nf3 (Göring Gambit, by transposition)
  • 4...Nc6 5.Bc4 and 6.Nf3 (Göring Gambit, by transposition)
  • 4...Bb4 5.Bc4 (5.Qd4 is an independent option) Bxc3+ 6.bxc3 d6 7.Qb3 Qe7 8.Ne2 Alekhine-Pomar,   clock simul Madrid 1943
  • 4.Bc4 (Lindehn's continuation)
  • 4...d6 5.Nxc3 (also Göring Gambit, by transposition)
  • 4...cxb2 5.Bxb2 (Danish Gambit Accepted, )
  1.  5...Bb4+ 6.Kf1 or 6.Nc3
  2.  5...d6 6.Qb3
  3.  5...d5 (Schlechter Defense)

Alekhine recommended that White play 4.Nxc3. This line often transposes into the Göring Gambit of the Scotch Game. There are only few lines with Black omitting ...Nc6 and/or White omitting Nf3. This move order enables White to avoid the critical main line of the Göring Gambit (1.e4 e5 2.Nf3 Nc6 3.d4 exd4 4.c3 dxc3 5.Nxc3 Bb4) by keeping open the option of meeting an early ...Bb4 by developing the king's knight to e2 rather than f3 and this preventing Black from disrupting White's queenside pawn structure, as Alekhine did in his game against Pomar above.



White can instead offer a second pawn with 4.Bc4. The second pawn can be safely declined by transposing into the Scotch Gambit. Accepting the pawn allows White's two bishops to rake the Black kingside after 4...cxb2 5.Bxb2.

White will often follow up with Qb3 if possible, applying pressure on Black's b7 and f7 squares. Combined with White's long diagonal pressure on g7, this can make it difficult for Black to develop his bishops.
Schlechter recommended one of the most reliable defenses for Black: by returning one of the pawns with 5...d5 Black gains time to complete development. After 6.Bxd5 Nf6 (Bb4+ is also possible) 7.Bxf7+ Kxf7 8.Qxd8 Bb4+ 9.Qd2 Bxd2+ 10.Nxd2 c5, Black regains the queen. Most theorists evaluate this position as equal, but some believe that the queenside majority gives Black the advantage in the endgame.The popularity of the Danish plummeted after Schlechter's defense was introduced as the resulting positions are not what 

White generally desires from a gambit opening. There have been attempts, especially by German correspondence player Ingo Firnhaber, to revive the gambit idea with 7.Nc3, but according to Karsten Muller and Martin Voigt in Danish Dynamite, this line gives insufficient compensation after 7...Nxd5 8.Nxd5 Nbd7 (8...c6?? 9.Nf6+) 9.Nf3 c6, since the piece sacrifice 10.0-0 is dubious on account of 10...cxd5 11.exd5 Be7! If White instead plays 6.exd5, his light-square bishop is blocked and after 6...Nf6 7.Nc3 Bd6 Black can complete development relatively easily. 

The big advantage of Göring's move order (Nf3 first, before c3) is avoiding Schlechter's defence, since after 1.e4 e5 2.Nf3 Nc6 3.d4 exd4 4.c3 dxc3 5.Bc4 cxb2 6.Bxb2 Black cannot safely play 6...d5 with the queen's knight committed to c6. The big advantage of 2.d4 exd4 3.c3 is the option to meet 3...d5 with 4.exd5 Qxd5 5.cxd4 Nc6 6.Be3 instead of 6.Nf3 transposing to the Göring Gambit Declined (the main objection being the Capablanca Variation, 6.Nf3 Bg4 7.Be2 Bb4+ 8.Nc3 Bxf3 9.Bxf3 Qc4, when White must exchange queens or give up castling rights). It also has the advantage of avoiding Blacks other options after 2.Nf3.



Martin Severin Janus From (8 April 1828 – 6 May 1895) was a
Danish chess master

Born in Nakskov, From received his first education at the grammar school of Nykøbing Falster. He entered the army as a volunteer during the Prussian-Danish War (Schleswig-Holstein War of Succession), where he served in the brigade of Major-General Olaf Rye and partook in the Battle of Fredericia on July 6, 1849.

After the war From settled in Copenhagen. He was employed by the Statistical Bureau, where he met Magnus Oscar Møllerstrøm, then the strongest chess player in Copenhagen. Next, he worked in the central office for prison management, and in 1890 he became an inspector of the penitentiary of Christianshavn. In 1891 he received the order Ridder af Dannebrog ("Knight of the Danish cloth", i.e. flag of Denmark), which is the second highest of Danish orders. 

In 1895 Severin From died of cancer. He is interred at Vestre Cemetery, Copenhagen.

Chess career
From won a chess tournament in Copenhagen 1862, followed by Magnus Oscar Møllerstrøm, Søren Anton Sørensen, Hans A. Lindehn, A. Mathiassen, and others. In 1865 he was elected President of Københavns Skakforening ("Copenhagen Chess Association"), today Denmark's oldest chess club, and held that position for many years. He tied for 12–13th in the Paris 1867 chess tournament, won by Ignatz
von Kolisch.

He essayed the Danish Gambit (1.e4 e5 2.d4 exd4 3.c3) at Paris 1867, and he is usually given credit for the opening. His name is attached to From's Gambit in the Bird's Opening (1.f4 e5).

jueves, 8 de marzo de 2012

Primer año


Un año de caminar.

De sacarle la lengua 
a la  máquina
que nos vende la cultura

Con iguales ganas
de seguir jugando
un gambito refutado.


viernes, 10 de febrero de 2012

Raúl Juliá - Homero Adams



Mi nombre es Homero Addams!! y conozco lo que es la maldad... y conozco el horror... conozcoo!!... las pesadillas que festejan en los oscuros recesos del alma serena!!

miércoles, 18 de enero de 2012

La dureza


"Existen los jugadores duros y los buenos muchachos, yo soy un jugador duros"

Habla el Martillo (Der Hammer redet) 

«¡Por qué tan duro! –dijo una vez el carbón de cocina al diamante-. ¿Acaso no somos parientes cercanos?» 
¿Por qué tan blandos? Hermanos mios, -le pregunto-: ¿Acaso no son mis hermanos? 
¿Por qué tan blandos, tan reblandecidos y poco resistentes? ¿Por qué hay tanta negación, tanta renegación en sus corazones? ¿Tan poco destino en su mirada? 
Y si no quieren ser destinos e inexorables: ¿cómo podrian vencer conmigo alguna vez? 
Y si su dureza no quiere centellear y cortar y seccionar: ¿cómo podrian alguna vez crear conmigo? 
Todos los creadores son duros. Y bienaventuranza tiene que parecerles el imprimir su mano sobre milenios, cual si fueran cera. 
Bienaventuranza, escribir sobre la voluntad de los milenios como sobre bronce, más duros que el bronce, más nobles que el bronce. Sólo lo totalmente duro es lo más noble de todo. Esta nueva tabla, oh mis hermanos, coloco yo sobre ustedes: ¡Endurezcanse! 

(Extraído del libro "Crepúsculo de los Idolos" del filosofo aleman Friedrich Nietzsche; aunque este extracto es originario de "Asi Hablo Zaratustra" del mismo autor). 



sábado, 24 de diciembre de 2011

Bluebird


Bluebird 
Charles Bukowski (1920-1994)

There's a bluebird in my heart that
wants to get out
but I'm too tough for him,
I say, stay in there, I'm not going
to let anybody see
you.
there's a bluebird in my heart that
wants to get out
but I pour whiskey on him and inhale
cigarette smoke
and the whores and the bartender
sand the grocery clerks
never know that
he's
in there.
there's a bluebird in my heart that
wants to get out
but I'm too tough for him,
I say,
stay down, do you want to mess
me up?
you want to screw up the
works?
you want to blow my book sales in
Europe?
there's a bluebird in my heart that
wants to get out
but I'm too clever, I only let him out
at night sometimes
when everybody's asleep.
I say, I know that you're there,
so don't be
sad.
then I put him back,
but he's singing a little
in there, I haven't quite let him
die
and we sleep together like
that
with our
secret pact
and it's nice enough to
make a man
weep, but I don't
weep, do
you?


Pájaro azul

Hay un pájaro azul en mi corazón que
quiere salir
pero soy duro con él,
le digo quédate ahí dentro, no voy
a permitir que nadie
te vea.

hay un pájaro azul en mi corazón que
quiere salir
pero yo le echo whisky encima y me trago
el humo de los cigarrillos,
y las putas y los camareros
y los dependientes de ultramarinos
nunca se dan cuenta
de que esté ahí dentro.

hay un pájaro azul en mi corazón que
quiere salir
pero soy duro con él,
le digo quédate ahí abajo, ¿es que quieres
hacerme un lío?
¿es que quieres mis obras?
¿es que quieres que se hundan las ventas de mis libros
en Europa?

hay un pájaro azul en mi corazón
que quiere salir
pero soy demasiado listo, sólo le dejo salir
a veces por la noche
cuando todo el mundo duerme.
le digo ya sé que estás ahí,
no te pongas
triste.

luego lo vuelvo a introducir,
y él canta un poquito
ahí dentro, no le he dejado
morir del todo
y dormimos juntos
así
con nuestro
pacto secreto
y es tan tierno como
para hacer llorar
a un hombre, pero yo no
lloro,
¿lloras tú?


Labels: Charles Bukowski


domingo, 18 de diciembre de 2011

Efimero


Efímero


 Una trescientas millonésima de segundo,
              si eso es lo que dura una partícula,
         considera qué interminable es un día


  ¿Piensas que un día es demasiado corto?


                                                           gran codicia
Ko Un